Exploring Gandhāran Relic Rituals and Veneration II: Ritual Vignettes on Gandhāran Pedestal Reliefs
genderBuddhismGandhārapedestalscommunityrelicsrituals
DOI: https://doi.org/10.60018/AcAsVa.bzyt7368
Bibliografia
Abbreviations
CKI = Corpus of Kharoṣṭhī Inscriptions, see Catalog of Gāndhārī Texts, by Stefan Baums and Andrew Glass at https://gandhari.org/catalog (accessed 6 February 2025).
GRAVE = Gandhāran Relic Rituals and Veneration Explored (UK Research and Innovation Horizon Europe Guarantee Project, Cardiff University, Reference: EP/Y031008/1).
Skt. = Sanskrit.
T. = Taishō Shinshū Daizōkyō. Ed.: Takakusu and Watanabe (1924–1934).
References
Ahuja, Naman 2019. “One Mother, Many Mother Tongues”. Marg 70(4): 28–46.
Bailey, Harold Walter 1982. “Two Kharoṣṭhī inscriptions”. The Journal of the Royal Asiatic Society of Great Britain and Ireland 1982(1): 149–160. https://doi.org/10.1017/S0035869X00159192
Baums, Stefan 2012. “Catalog and Revised Texts and Translations of Gandharan Reliquary Inscriptions”. [In:] Jongeward, David, Elizabeth Errington, Richard Salomon and Stefan Baums, eds, Gandharan Buddhist Reliquaries. Gandharan Studies 1. Seattle: Early Buddhist Manuscripts Project, pp. 200–309.
Baums, Stefan 2018. “A framework for Gandhāran chronology based on relic inscriptions” [In:] Rienjang, Wannaporn and Peter Stewart, eds, Problems of Chronology in Gandhāran Art: Proceedings of the First International Workshop of the Gandhāra Connections Project, University of Oxford, 23rd–24th March, 2017. Oxford: Archaeopress, pp. 53–70. https:// doi.org/10.2307/jj.15135994.9
Bautze-Picron, Claudine 1985. “Représentation du/des dévot/s dans la statuaire bouddhique en pierre du Bihar à l’époque “Pâla-Sena”. Berliner Indologische Studien 1: 124–134.
Bautze-Picron, Claudine 1995. “Between men and gods: small motifs in the Buddhist art of Eastern India, an interpretation”. [In:] van der Kooij, Karel R. and Hendrik van der Veere, eds, Function and Meaning in Buddhist Art: Proceedings of a seminar held at Leiden University, 21–24 October 1991. Groningen: Egbert Forsten, pp. 59–79. https://doi.org/10.1163/9789004658646_009
Bautze-Picron, Claudine 2014. “Images of donors in the Buddhist art of Eastern India”. Hal.
Behrendt, Kurt 2003. “Relics and their Representation in Gandhara”. Mārg 54(4): 76–85.
Behrendt, Kurt 2014. “Maitreya and the Past Buddhas: Interactions between Gandhara and Northern India”. [In:] Klimburg-Salter, Deborah and Linda Lojda, eds, Changing Forms and Cultural Identity: Religious and Secular Iconographies. Turhout: Brepols, pp. 29–40.
Ching, Chao-jung 2014. “Perfumes in Ancient Kucha: On the word Tuñe attested in Kuchean monastic accounts”. Tocharian and Indo-European Studies 15: 39–52.
Cohen, Richard 1998. “Nāga, Yakṣiṇī, Buddha: Local Deities and Local Buddhism at Ajanta”. History of Religions37(4): 360–400. https://doi.org/10.1086/463514
DeCaroli, Robert 2015. Image Problems: The Origin and Development of the Buddha’s Image in Early South Asia. Seattle: University of Washington Press. https://doi.org/10.1515/9780295805795
Deeg, Max 2004. “Legend and Cult – Contributions to the History of Indian Buddhist Stūpas. Part 1: The ‘Stūpa of Kaniṣka’”. Buddhist Studies Review 21(1): 1–34. https://doi.org/10.1558/bsrv.v21i1.14240
Deeg, Max 2007. “Has Xuanzang really been in Mathura? Interpretatio Sinica or Interpretatio Occidentalia – How to Critically Read the Records of the Chinese Pilgrim”. [In:] Wittern, Christian and Shi Lishan, eds, Essays on East Asian Religion and Culture. Festschrift in honour of Nishiwaki Tsuneki on the occasion of his 65th birthday. Kyoto: Editorial committee for the Festschrift in honour of Nishiwaki Tsuneki, pp. 35–73.
Deeg, Max 2011. “Secular Buddhist Lineages: The Śākyas and Their Royal Descendants in Local Buddhist Legitimation Strategies”. Religions of South Asia 5(1/2): 189–207. https://doi.org/10.1558/rosa.v5i1/2.189
Deeg, Max 2018. “The Historical Turn: How Chinese Buddhist Travelogues Changed Western Perception of Buddhism”. Hualin International Journal of Buddhist Studies 1(1): 43–75. https://doi.org/10.15239/hijbs.01.01.02
Deeg, Max 2019. “Chinese Buddhist Travelers: Faxian, Xuanzang, and Yijing”. Oxford Research Encyclopedia of Asian History. https://doi.org/10.1093/acrefore/9780190277727.013.217
Deeg, Max 2021. “Indian Regional nāga Cults and Individual nāga Stories in Chinese Buddhist Travelogues”. Acta Asiatica Varsoviensia 34: 51–78. https://doi.org/10.60018/AcAsVa.tmrw6380
Deeg, Max (unpublished manuscript). “Record of the Western Regions of the Great Tang”.
Durt, Hubert 1982. “La “Visite aux laboureurs” et la “Méditation sous l’arbre jambu” dans les biographies sanskrites et chinoises du Buddha: Tentative de classement des épisodes narratifs”. [In:] Hercus, L. A., F. B. J. Kuiper, T. Rajapatirana and E. R. Skrzypczak, eds, Indological and Buddhist Studies: Volume in Honour of Professor J. W. de Jong on His Sixtieth Birthday. Canberra: Faculty of Asian Studies, pp. 95–120.
Faccenna, Domenico 1962–1964. Sculpture from the sacred area of Butkara I (Swāt, Pakistan). 3 vols. Rome: IsMEO.
Falk, Harry 2002–2003. “Some inscribed images from Mathurā revisited”. Indo-Asiatische Zeitschrift 6/7: 31–47.
Falk, Harry 2008. “Another reliquary vase from Wardak and consecrating fire rites in Gandhara”. [In:] Bautze-Picron, Claudine, ed., Religion and Art: New Issues in Indian Iconography and Iconology. Canberra: Faculty of Asian Studies, pp. 63–79.
Falk, Harry 2012. “‘Buddhist’ Metalware from Gandhara”. Bulletin of the Asia Institute 26: 33–60.
Falk, Harry 2014. “The first-century Copper-plates of Helagupta from Gandhāra hailing Maitreya”. Sōka daigaku kokusai bukkyōgaku kōtō kenkyūjo nenpō 創価大学国際 仏教学高等研究所年報 / Annual Report of the International Research Institute for Advanced Buddhology at Soka University 17: 3–26.
Falk Harry 2020–2021. “Revision of Kharoṣṭhī Inscriptions in the Light of New Material”. Bulletin of the Asia Institute 30: 113–142.
Falk Harry 2023. “Maitreya the healer”. [In:] Kudo, Noriyuki, ed., Śāntamatiḥ Manuscripts for Life – Essays in Memory of Seishi KARASHIMA. Tokyo: The International Research Institute for Advanced Buddhology Soka University, pp. 95–112.
Filigenzi, Anna, Domenico Faccenna and Pierfrancesco Callieri 2003. “At the Origin of Gandharan Art. The Contribution of the Isiao Italian Archaeological Mission in the Swat Valley Pakistan”. Ancient Civilizations from Scythia to Siberia 9(3–4): 277–380. https://doi.org/10.1163/157005703770961787
Fuchs, Walter 1938. “Huei-ch'ao's Pilgerreise durch Nordwest-Indien und Zentral-Asien um 726”. Sitzungsbericht der Preußischen Akademie der Wissenschaften (Philosophisch-Historische Klasse) 22: 426–469.
Fussman, Gérard 1980. “Documents épigraphiques kouchans (II)”. Bulletin de l’École Française d’Extrême-Orient 67: 45–58. https://doi.org/10.3406/befeo.1980.3339
Fussman, Gérard 1985. “A Pedestal Inscription from the Peshawar District”. East and West 35 (1/3): 143–152.
Hargreaves, Harold 1921. “Appendix V: List of antiquities recovered during operations at Jamalgarhi 1920–21”. Archaeological Survey of India Frontier Circle Report 1920–21: 20–28.
Hinüber, Oskar von 2018. “Some Buddhist Donors and Their Families”. Indo-Iranian Journal 61(4): 353–368. https://doi.org/10.1163/15728536-06104003
Hölscher, Tonio 2014. “Semiotics to Agency”. [In:] Marconi, Clemente, ed., The Oxford Handbook of Greek and Roman Art and Architecture. Oxford: Oxford University Press, pp. 662–686. https://doi.org/10.1093/oxfordhb/9780199783304.013.030
Horsch, Paul 1964. “Buddhas erste Meditation”. Asiatische Studien 17: 100–154.
Kaimal, Padma 1999. “The Problem of Portraiture in South India, circa 870–970 A.D.”. Artibus Asiae 59(1/2): 59–133. https://doi.org/10.2307/3249862
Kim, Jinah 2016. “Faceless Gazes, Silent Texts: Images of Devotees and Practices of Vision in Medieval South Asia”. Ars Orientalis 46: 198–229. https://doi.org/10.3998/ars.13441566.0046.008
Kim, Jinah 2020. “Reading Time: the Sarnath Buddha and the Historical Significance of Donor Portraits in Early Medieval South Asia”. South Asian Studies 36(2): 190–215. https://doi.org/10.1080/02666030.2020.1821517
Konow, Sten 1929. Kharoshṭhi inscriptions with the exception of those of Aśoka. Calcutta: Government of India Central Publication Branch.
Kuwayama, Shoshin 2006. “Pilgrimage Route Changes and the Decline of Gandhāra”. [In:] Brancaccio, Pia and Kurt Behrendt, eds, Gandhāran Buddhism: Archaeology, Art, Texts. Vancouver: University of British Columbia Press, pp. 107–134. https://doi.org/10.59962/9780774855037-008
Lakshminarayanan, Ashwini 2023. “Towards Investigating the Representation of Gandhāran Female Donors”. Arts Asiatiques 78: 5–26. https://doi.org/10.3406/arasi.2023.2227
Lakshminarayanan, Ashwini 2024. “Exploring Gandhāran Relic Rituals and Veneration I: Visualising Relics”. Acta Asiatica Varsoviensia 37: 85–122. https://doi.org/10.60018/AcAsVa.roao7752
Lamotte, Etienne 1944. Le Traité de la grande vertu de sagesse de Nāgārjuna Mahāprajñāpāramitāśāstra. Tome 1 : Chapitres I–XV. Première Partie (Traduction annotée). Louvain: Bureaux du Muséon.
Lobo, Wibke 1991. “The Bodhisattva with the Flask: Siddhārtha or Maitreya”. [In:] Bhattacharya, Gouriswar, ed., Akṣayanīvī: Essays Presented to Dr. Debala Mitra in Admiration of her Scholarly Contributions. Bibliotheca Indo-Buddhica Series 88. Delhi: Sri Satguru Publications, pp. 95–104.
Luczanits, Christian 2005. “The Bodhisattva with the Flask in Gandharan Narrative Scenes: In memoriam Maurizio Taddei”. East and West 55: 163–188.
Milligan Matthew 2013. “The Development and Representation of Ritual in Early Indian Buddhist Donative Epigraphy”. Pacific World: Journal of the Institute of Buddhist Studies 15: 171–186.
Milligan Matthew 2019. “Corporate Bodies in Early South Asian Buddhism: Some Relics and Their Sponsors According to Epigraphy”. Religions 2019, 10(1), 4. https://doi.org/10.3390/rel10010004
Neelis, Jason 2014. “Literary and Visual Narratives in Gandhāran Buddhist Manuscripts and Material Cultures: Localizations of Jātakas, Avadānas, and Previous-Birth Stories”. [In:] Fleming, Benjamin J. and Richard D. Mann, eds, Material Culture and Asian Religions: Text, Image, Object. New York-Abingdon: Routledge, pp. 252–264.
Neelis, Jason 2019. “Making places for Buddhism in Gandhāra: stories of previous births in image and text”. [In:] Rienjang, Wannaporn and Peter Stewart, eds, The Geography of Gandhāran Art. Proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd–23rd March, 2018. Oxford: Archaeopress, pp. 175–185. https://doi.org/10.2307/jj.15136005.17
Pons, Jessie 2019. “Gandhāran art(s): methodologies and preliminary results of a stylistic analysis”. [In:] Rienjang, Wannaporn and Peter Stewart, eds, The Geography of Gandhāran Art. Proceedings of the Second International Workshop of the Gandhāra Connections Project, University of Oxford, 22nd–23rd March, 2018. Oxford: Archaeopress, pp. 3–40. https://doi.org/10.2307/jj.15136005.8
Peri, Noël 1917. “Hārītī, La Mère-de-démons”. Bulletin de l’École Française d’Extrême-Orient 17 : 1–102. https://doi.org/10.3406/befeo.1917.5319
Quagliotti, Anna Maria 1999–2000. “An Inscribed Image of Hārītī in the Chandigarh Government Museum and Art Gallery”. Silk Road Art and Archaeology 6: 51–60.
Rhi, Juhyung 1994. “From Bodhisattva to Buddha: The Beginning of Iconic Representation in Buddhist Art”. Artibus Asiae 54(3/4): 207–225. https://doi.org/10.2307/3250056
Rhi, Juhyung 2003. “Early Mahāyāna and Gandhāran Buddhism: An Assessment of the Visual Evidence”. The Eastern Buddhist 35(1/2): 152–202.
Rhi, Juhyung 2008. “Identifying Several Visual Types in Gandhāran Buddha Images”. Archives of Asian Art 58: 43–85. https://doi.org/10.1353/aaa.0.0001
Rhi, Juhyung 2023. “Does iconography really matter? Iconographical specification of Buddha images in pre-esoteric Buddhist art”. [In:] Rienjang, Wannaporn and Peter Stewart, eds, Gandhāran Art in Its Buddhist Context Papers from the Fifth International Workshop of the Gandhāra Connections Project, University of Oxford, 21st–23rd March, 2022. Oxford: Archaeopress, pp. 12–41. https://doi.org/10.2307/jj.15135946.8
Salomon, Richard 1999. Ancient Buddhist Scrolls from Gandhāra. The British Library Kharoṣṭhī Fragments. Washington: University of Washington Press.
Salomon, Richard 2007. “Dynastic and Institutional Connections in the Pre‐and Early Kuṣāṇa Period: New Manuscript and Epigraphic Evidence”. [In:] Srinivasan, Doris Meth, ed., On the Cusp of an Era: Art in the Pre‐Kuṣāṇa World. Leiden: Brill, pp. 267–286. https://doi.org/10.1163/ej.9789004154513.i-548.90
Salomon, Richard 2009. “Why Did the Gandhāran Buddhists bury their manuscripts?”. [In:] Berkwitz, Stephen, Juliane Schober and Claudia Brown, eds, Buddhist Manuscript Cultures: Knowledge, ritual, and art. London: Routledge, pp. 19–34.
Salomon, Richard 2020. “The Copper Plates of Helagupta: A New Edition and Study”. Indo-Iranian Journal 63(1): 3–69. https://doi.org/10.1163/15728536-06301006
Schopen, Gregory 2004. Buddhist Monks and Business Matters: Still More Papers on Monastic Buddhism in India. Honolulu: University of Hawai‘i Press.
Schopen, Gregory 2005. Figments and Fragments of Mahāyāna Buddhism in India: More Collected Papers. Honolulu: University of Hawai‘i Press.
Schopen, Gregory 2014. Buddhist Nuns, Monks, and Other Worldly Matters: Recent Papers on Monastic Buddhism in India. Honolulu: University of Hawai‘i Press.
Sharma, Govardhan Rai 1958. “Excavations at Kauśāmbī, 1949–1955”. Annual Bibliography of Indian Archaeology16: xxxvi-xxxvii.
Stone, Elizabeth Rosen 2004. “A Buddhist Incense Burner from Gandhara”. Metropolitan Museum Journal 39: 69–99. https://doi.org/10.1086/met.39.40034602
Taddei, Maurizio 2006. “Recent Archaeological Research in Gandhāra: The New Evidence”. [In:] Brancaccio, Pia and Kurt Behrendt, eds, Gandhāran Buddhism: Archaeology, Art, Texts. Vancouver: University of British Columbia Press, pp. 41–59. https://doi.org/10.59962/9780774855037-005
Thapar, Romila 1992. “Patronage and the Community”. [In:] Stoler Miller, Barbara, ed., The Powers of Art: Patronage in Indian Culture. Delhi: Oxford University Press, pp. 19–34.
Trainor, Kevin 1997. Relics, Ritual, and Representation in Buddhism Rematerializing the Sri Lankan Theravāda tradition. Cambridge: Cambridge University Press.
Verardi, Giovanni 1994. Homa and Other Fire Rituals in Gandhāra. Supplemento no. 79 agli Annali 54, Fasc. 2. Napoli: Istituto Universitario Orientale.
Wezler, Albrecht 1987. Bhṛṅgāra in Sanskrit Literature. Aligarh Oriental Series 8. Aligarh: Viveka Publications.
Willis, Michael 1999–2000. “The Sānchī Bodhisattva dated Kuṣāṇa year 28”. Silk Road Art and Archaeology 6: 269–273.